EPISODE 11 – Ina Forsman

It takes a special artist to snatch triumph from the jaws of disaster. Rewind to 2016and everything was going right for Ina Forsman. The 24-year-old singer had gonefrom Finland’s best-kept secret to Ruf’s hottest new signing. Her self-titled debut hadwowed the music press, from Classic Rock (“dynamite voice”) to Blues Blast (“debutalbum of the year”). She’d blazed her reputation in the US and Europe on that year’sBlues Caravan tour, and couldn’t slow the torrent of new songs that flowed from her.Then fate threw a curveball. While gigging in New York, Ina lost her phone –and with it, every last scrap of new material. A lesser artist would have crumbled. Butas you’d expect from a road-warrior who paid her dues under blues heroes like GuyVerlinde and Helge Tallqvist, Ina stood tall, breathed deep, wiped the slate clean andtook two more years to pen a fresh batch of songs. “For a long time, I was so angryat myself,” she remembers. “But at the end of the day, I’m happy I lost my phone. Ilived a little more life – and was able to write better songs with more emotion.”We’ve had the introductions. Now, on second album Been Meaning To TellYou, Ina brings the listener closer than an old friend, spilling her deepest emotionswhile surveying the beauty (and beasts) of the modern world. Tracked at Austin’sWire Recording Studio with producer Mark ‘Kaz’ Kazanoff and a world-class band,these are twelve songs for life’s highs and lows, whether you want speaker-rattlingsoul for wild nights or a slow-blues for licking your wounds. “Let the music heal you,”Ina advises, “or break you momentarily if you’re not ready to get back up yet.”Some listeners will focus on Ina’s incredible vocal, as she slips from the felinepurr of Be My Home and the rapid-fire punch of Get Mine, to the conversational flowof Figure. But perhaps still more impressive is the quality of her original songwriting.As on her debut, Ina is a creative force here, penning all the lyrics and co-writing themusic, on an emotional rollercoaster that swerves between the acid-jazz of All Good,Genius’s raucous soul and the shivering slow-blues Miss Mistreated. “That song isabout getting out of a bad relationship,” explains Ina, “and I wrote Who Hurt You formy best friend, who spent a long time trying to leave an abusive relationship.”She’s full of surprises. Try Every Single Beat, with its Latin rhythms and a lyricthat Ina hopes will let you “feel the moment and stop being so goddamn concernedwhat other people are thinking”. Try Chains, with its throbbing percussion and gang-chant vocals. Even when she writes a love song, Ina twists the template, withWhatcha Gonna Do and Why You Gotta Be That Way giving two perspectives onsexual harassment. “The first song tells the situation from a man’s point of view,” sheexplains. “He sees a beautiful girl, tries to get her attention and ends up makingsome fucked-up decisions. The second song tells the story from the girl’s point ofview: she just wants to carry on with her stuff but this dude won’t leave her alone.”It all ends with the stunning Sunny – a smoky acapella masterclass, writtenentirely by Ina, that sends you off into the world with goosebumps, ready to spreadthe word about this extraordinary artist. Been Meaning To Tell You is the secondalbum that you hoped Ina Forsman was capable of – and then some. Let us all bethankful that she lost her phone…